中文译文
创建一张单独的 3x3 网格图像（正方形，2048x2048，高细节）。 中心图块（第 2 行，第 2 列）必须是上传的参考电影剧照原图，保持不变。不得以任何方式重新诠释、重绘、重新打光、重新调色、裁剪、重新构图、风格化、锐化、模糊或变换它。它必须与所提供的完全一致。
导演检测规则 如果上传的电影剧照的导演是下列 8 位导演之一，那么该同一位导演对应的图块必须是原始中心图块的精确副本，完全不做任何更改（相同的图像内容、相同的构图、相同的色彩、相同的光照、相同的质感）。只应用标签。 所有其他图块遵循正常的重拍规则。
网格规则 9 个相等的图块，采用干净的 3x3 布局，图块之间为细而均匀的间隔。 每个图块的左上角都有一个简单、易读的标签，字体和大小一致，高对比度，无变形。 中心图块标签：ORIGINAL 其他图块标签严格为： Alfred Hitchcock Akira Kurosawa Federico Fellini Andrei Tarkovsky Ingmar Bergman Jean-Luc Godard Agnès Varda Sergio Leone 不得有其他文字、标志、字幕或水印。 保持 3x3 对齐完全笔直且干净。
身份 + 性别锁定（适用于所有非 ORIGINAL 图块）
- 使用 ORIGINAL 中心图块作为每个人身份的唯一真实来源。
- 保留人物的确切数量及其角色/位置（不得调换谁是谁）。
- 不得更改任何人的性别或性别呈现。不得性别转换，不得变性，不得跨性别选角。
- 保持每个人的关键身份特征一致：面部结构、发型长度/类型、胡须（不得出现/消失）、妆容程度（不得出现/消失）、身体比例、年龄范围、肤色以及显著特征（痣/疤痕/眼镜）。
- 不得把一个人变成另一个人。不得合并面孔。不得把一个人拆成两个人。不得在不同人物之间复制同一张脸。
- 如果任何身份属性不明确，默认与 ORIGINAL 完全匹配。
- 允许的更改仅限于按导演进行的电影化处理：构图、镜头质感、机位高度、景深、光照、色调、对比度曲线、质感、氛围以及场景强调。身份必须保持锁定。 负面：性别转换、女性化/男性化、添加/移除胡须、添加/移除口红、大幅改变头发长度、换脸、身份漂移。 角色锚定
- 人物A = 原图中的最左侧人物，人物B = 原图中的最右侧人物，人物C = 原图中的中间/后方人物，以此类推。
- 每个画面必须保持人物A/B/C为同一个人（相同的性别呈现和身份），仅以电影化方式重新拍摄。
内容规则（适用于非重复画面） 在所有画面中保持可辨识的连续性（谁/在哪里/做什么）。不得将身份改变为不同的人。 按导演变化：构图、镜头质感、机位高度、景深、灯光、色彩调色板、对比度曲线、质感、美术设计侧重、氛围。 超锐利电影剧照（除非指定了柔化扩散），光照连贯，解剖结构正确，无重复面孔，无扭曲的手，无破碎透视，无故障伪影，标签完全可读。
导演专属风格与调色（除非重复规则适用，否则每个画面强烈应用）
Alfred Hitchcock 调色板：柔和中性色、冷灰色、病态绿色、深黑色，偶有饱和红色点缀。 对比度：高对比度，锐利而充满悬念的阴影。 质感：经典35mm的干净质感，带有紧张氛围。 镜头/景深：35–50mm，受控景深，精确几何构图。 灯光/调度：受黑色电影影响的实用光源，硬主光，窥视式构图，心理张力。
Akira Kurosawa 调色板：大地色系去饱和的棕色/绿色；若为彩色则使用克制的原色。 对比度：大胆的色调分离，强劲的黑色。 质感：粗粝胶片颗粒，触感元素（泥、雨、风）。 镜头/景深：24–50mm，深焦；动态调度与强烈几何感。 灯光/氛围：戏剧性自然光，天气作为设计元素（雾、雨痕、逆光）。
Federico Fellini 调色板：温暖琥珀色、狂欢红色、奶油色高光、粉彩点缀。 对比度：中等对比度，梦幻光晕与柔和泛光。 质感：柔化扩散，戏剧化超现实光泽。 镜头/景深：标准至广角，舞台式画面，丰富背景布景。 灯光：富有表现力，舞台感， whimsical 又忧郁的氛围。 安德烈·塔可夫斯基 调色板：柔和的棕褐/橄榄色、冷青灰色、低饱和度、风化色调。 对比度：低至中等，柔和的高光过渡。 质感：有机颗粒、雾气弥漫的空气、水渍、陈旧表面。 镜头/景深：50–85mm，沉思式构图，自然主义景深。 光线/氛围：窗光、阴天感、诗意元素（雾、雨、烟）、静谧的张力。
英格玛·伯格曼 调色板：近乎单色的克制、冷灰色、苍白肤色、极少的色彩干扰。 对比度：高对比度，雕塑般的面孔，深邃阴影。 质感：干净、亲密、聚焦心理。 镜头/景深：50–85mm，更紧凑的构图，浅至中等景深。 光线：强主光配戏剧性衰减，情感浓烈的肖像。
让-吕克·戈达尔 调色板：大胆的原色（红/蓝/黄）点缀中性色，或刻意平淡的自然色彩。 对比度：中等对比度，偶尔略微过曝的高光。 质感：粗粝的16mm/35mm能量，不完美而鲜活。 镜头/景深：更广的镜头，自发的偏心构图。 光线：自然光感，街头/霓虹/实用光源，纪实新浪潮的即时感。
阿涅斯·瓦尔达 调色板：温暖的自然日光、柔和的粉彩色、真实的肤色、微妙的互补色。 对比度：中等，柔和而宜人。 质感：可触的生活化写实，微妙的胶片颗粒。 镜头/景深：28–50mm，带环境背景的环境肖像构图。 光线：自然主义，以人为本，亲密而开放的氛围。
塞尔吉奥·莱昂内 调色板：烈日炙烤的金色、尘土般的橙色、棕褐棕色、深邃阴影，偶尔的绿松石色天空。 对比度：高对比度，烈日，强烈的剪影。 质感：粗粝的尘土、汗水、皮革、风化表面，明显的颗粒。 镜头/景深：极端广角（24–35mm）与极端特写的语言；眼睛/细节处用浅景深。 光线/情绪：强烈的阳光、轮廓光、歌剧般的张力、标志性的戏剧性阴影形状。 输出：仅一张最终的 3x3 网格图像。
English original
Create a single 3x3 grid image (square, 2048x2048, high detail). The center tile (row 2, col 2) must be the exact uploaded reference film still, unchanged. Do not reinterpret, repaint, relight, recolor, crop, reframe, stylize, sharpen, blur, or transform it in any way. It must remain exactly as provided.
Director detection rule If the director of the uploaded film still is one of the 8 directors listed below, then the tile for that same director must be an exact duplicate of the ORIGINAL center tile, with no changes at all (same image content, same framing, same colors, same lighting, same texture). Only apply the label. All other tiles follow the normal re-shoot rules.
Grid rules 9 equal tiles in a clean 3x3 layout, thin uniform gutters between tiles. Each tile has a simple, readable label in the top-left corner, consistent font and size, high contrast, no warping. Center tile label: ORIGINAL Other tiles labels exactly: Alfred Hitchcock Akira Kurosawa Federico Fellini Andrei Tarkovsky Ingmar Bergman Jean-Luc Godard Agnès Varda Sergio Leone No other text, logos, subtitles, or watermarks. Keep the 3x3 alignment perfectly straight and clean.
IDENTITY + GENDER LOCK (applies to ALL non-ORIGINAL tiles)
- Use the ORIGINAL center tile as the single source of truth for every person’s identity.
- Preserve the exact number of people and their roles/positions (no swapping who is who).
- Do NOT change any person’s gender or gender presentation. No gender swap, no sex change, no cross-casting.
- Keep each person’s key identity traits consistent: face structure, hairstyle length/type, facial hair (must NOT appear/disappear), makeup level (must NOT appear/disappear), body proportions, age range, skin tone, and distinctive features (moles/scars/glasses).
- Do not turn one person into a different person. Do not merge faces. Do not split one person into two. Do not duplicate the same face across different people.
- If any identity attribute is ambiguous, default to matching the ORIGINAL exactly.
- Allowed changes are ONLY cinematic treatment per director: framing, lens feel, camera height, DOF, lighting, palette, contrast curve, texture, mood, and set emphasis. Identities must remain locked. NEGATIVE: gender swap, femininize/masculinize, add/remove beard, add/remove lipstick, change hair length drastically, face replacement, identity drift.
CAST ANCHORING
- Person A = left-most person in ORIGINAL, Person B = right-most person in ORIGINAL, Person C = center/back person in ORIGINAL, etc.
- Each tile must keep Person A/B/C as the same individuals (same gender presentation and identity), only reshot cinematically.
Content rules (for non-duplicate tiles) Maintain recognizable continuity across all tiles (who/where/what). Do not change identities into different people. Vary per director: framing, lens feel, camera height, depth of field, lighting, color palette, contrast curve, texture, production design emphasis, mood. Ultra-sharp cinematic stills (except where diffusion is specified), coherent lighting, correct anatomy, no duplicated faces, no mangled hands, no broken perspective, no glitch artifacts, and perfectly readable labels.
Director-specific style and color grading (apply strongly per tile, unless the duplicate rule applies)
Alfred Hitchcock Palette: muted neutrals, cool grays, sickly greens, deep blacks, occasional saturated red accent. Contrast: high contrast with crisp, suspenseful shadows. Texture: classic 35mm cleanliness with tense atmosphere. Lens/DOF: 35–50mm, controlled depth, precise geometry. Lighting/Blocking: noir-influenced practicals, hard key, voyeuristic framing, psychological tension.
Akira Kurosawa Palette: earthy desaturated browns/greens; restrained primaries if color. Contrast: bold tonal separation, punchy blacks. Texture: gritty film grain, tactile elements (mud, rain, wind). Lens/DOF: 24–50mm with deep focus; dynamic staging and strong geometry. Lighting/Atmosphere: dramatic natural light, weather as design (fog, rain streaks, backlight).
Federico Fellini Palette: warm ambers, carnival reds, creamy highlights, pastel accents. Contrast: medium contrast, dreamy glow and gentle bloom. Texture: soft diffusion, theatrical surreal polish. Lens/DOF: normal to wide, staged tableaux, rich background set dressing. Lighting: expressive, stage-like, whimsical yet melancholic mood.
Andrei Tarkovsky Palette: subdued sepia/olive, cold cyan-gray, low saturation, weathered tones. Contrast: low-to-medium, soft highlight roll-off. Texture: organic grain, misty air, water stains, aged surfaces. Lens/DOF: 50–85mm, contemplative framing, naturalistic DOF. Lighting/Atmosphere: window light, overcast feel, poetic elements (fog, rain, smoke), quiet intensity.
Ingmar Bergman Palette: near-monochrome restraint, cold grays, pale skin tones, minimal color distractions. Contrast: high contrast, sculpted faces, deep shadows. Texture: clean, intimate, psychologically focused. Lens/DOF: 50–85mm, tighter framing, shallow-to-medium DOF. Lighting: strong key with dramatic falloff, emotionally intense portraits.
Jean-Luc Godard Palette: bold primaries (red/blue/yellow) punctuating neutrals, or intentionally flat natural colors. Contrast: medium contrast, occasional slightly overexposed highlights. Texture: raw 16mm/35mm energy, imperfect and alive. Lens/DOF: wider lenses, spontaneous off-center composition. Lighting: available light feel, street/neon/practicals, documentary new-wave immediacy.
Agnès Varda Palette: warm natural daylight, gentle pastels, honest skin tones, subtle complementary colors. Contrast: medium, soft and inviting. Texture: tactile lived-in realism, subtle film grain. Lens/DOF: 28–50mm, environmental portrait framing with context. Lighting: naturalistic, human-first, intimate but open atmosphere.
Sergio Leone Palette: sunbaked golds, dusty oranges, sepia browns, deep shadows, occasional turquoise sky tones. Contrast: high contrast, harsh sun, strong silhouettes. Texture: gritty dust, sweat, leather, weathered surfaces, pronounced grain. Lens/DOF: extreme wide (24–35mm) and extreme close-up language; shallow DOF for eyes/details. Lighting/Mood: hard sunlight, rim light, operatic tension, iconic dramatic shadow shapes.
Output: a single final 3x3 grid image only.
