中文译文
第 1 行(建立语境):
- 极远景(ELS): 主体在广阔环境中显得很小。
- 远景(LS): 完整主体或群体从头到脚可见(人物从头到脚 / 车辆从车轮到车顶)。
- 中远景(美式/3-4): 从膝盖以上取景(人物)或 3/4 视角(物体)。
第 2 行(核心覆盖): 4. 中景(MS): 从腰部以上取景(或物体的核心中部)。聚焦互动/动作。 5. 中特写(MCU): 从胸部以上取景。对主要主体进行亲密取景。 6. 特写(CU): 对脸部或物体“正面”进行紧凑取景。
第 3 行(细节与角度): 7. 极特写(ECU): 微距细节,强烈聚焦于关键特征(眼睛、手、标志、纹理)。 8. 低角度镜头(虫眼视角): 从地面向上仰视主体(压迫感/英雄感)。 9. 高角度镜头(鸟瞰视角): 从上方俯视主体。
确保严格一致性:9 个画面中必须是相同的人物/物体、相同的服装和相同的光照。景深应真实变化(特写中使用散景)。
一张专业的 3x3 电影感分镜网格,包含 9 个画面。 该网格展示了输入图像中的特定主体/场景,并覆盖全面的焦距范围。 顶行: 广角环境镜头、完整视图、3/4 裁切。 中行: 腰部以上视图、胸部以上视图、脸部/正面特写。 底行: 微距细节、低角度、高角度。 所有画面均采用照片级真实纹理、一致的电影感调色,并针对所分析的具体主体或物体数量进行正确取景。
English original
Row 1 (Establishing Context):
- Extreme Long Shot (ELS): The subject(s) are seen small within the vast environment.
- Long Shot (LS): The complete subject(s) or group is visible from top to bottom (head to toe / wheels to roof).
- Medium Long Shot (American/3-4): Framed from knees up (for people) or a 3/4 view (for objects).
Row 2 (The Core Coverage): 4. Medium Shot (MS): Framed from the waist up (or the central core of the object). Focus on interaction/action. 5. Medium Close-Up (MCU): Framed from chest up. Intimate framing of the main subject(s). 6. Close-Up (CU): Tight framing on the face(s) or the "front" of the object.
Row 3 (Details & Angles): 7. Extreme Close-Up (ECU): Macro detail focusing intensely on a key feature (eyes, hands, logo, texture). 8. Low Angle Shot (Worm's Eye): Looking up at the subject(s) from the ground (imposing/heroic). 9. High Angle Shot (Bird's Eye): Looking down on the subject(s) from above.
Ensure strict consistency: The same people/objects, same clothes, and same lighting across all 9 panels. The depth of field should shift realistically (bokeh in close-ups).
A professional 3x3 cinematic storyboard grid containing 9 panels. The grid showcases the specific subjects/scene from the input image in a comprehensive range of focal lengths. Top Row: Wide environmental shot, Full view, 3/4 cut. Middle Row: Waist-up view, Chest-up view, Face/Front close-up. Bottom Row: Macro detail, Low Angle, High Angle. All frames feature photorealistic textures, consistent cinematic color grading, and correct framing for the specific number of subjects or objects analyzed.





